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Sadly, the most lacking technical aspect is the animation, and that’s really only in comparison to previous Fate adaptations. Instances one through five have yet to be animated, and the prologue animation only explains so much. It creates a disconnect between the audience and the protagonist.Īs stated before, Camelot is instance six, and it’s rather obvious we’re not meant for this to be the first piece of Grand Order we’ve consumed. Wandering Agateram is focused on the story revolving around King Arthur, but we’re supposed to be seeing it primarily from Ritsuka’s perspective, whom we learn little about. However, little explanation behind it all leaves much confusion as to what’s really going on, and who Ritsuka and company are. Since the real villain behind this paradox isn’t mentioned much or shown at all in the film, viewers can just focus on the conflict at hand. But first, to the closest Taco Bell!Īs convoluted as it all sounds on paper, the overall execution of the story allows the audience to sit back and enjoy a dark fantasy and a riveting clash of kings. Sir Bedivere wants to correct his mistakes, and Ritsuka needs to find the Holy Grail to rewrite history, and so the two join forces to put an end to King Arthur’s reign of terror. The Hassan assassination clan sets up camp in the cliffs outside the city, and the Egyptian King Ozymandias rules the desert. The Islamic natives are cast aside by Arthur’s hostile takeover. Sir Bedivere was originally entrusted with Excalibur to return it to the Lady of the Lake, but in Fate/Grand Order, the story takes a turn for the worse when Bedivere disobeys King Arthur’s wish instead and denies his King’s death and passage to Avalon.Ĭonsumed with rage, King Arthur takes up the title of the Lion King, recollects the remaining Knights of the Round Table, and crusades across Israel to reclaim the holy city of Jerusalem. In the legends of King Arthur, Bedivere was originally one of the earliest knights to join the round table, and the last to remain by King Arthur’s side until his death. Instead of wasting time watching Ritsuka and company figure out their whereabouts in the desert, we jump right into the story introducing Sir Bedivere. Wandering Agateram cuts the first few story scenarios in the mobile game, which works to the film’s advantage. Either you know she’s meant to be Pharoh Nitocris, or you’re just going to be confused the whole time.
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I had played up to the Camelot chapter in the mobile game, so it wasn’t a problem for me. After the first 15 minutes, it’s safe to say that if you haven’t at least watched Fate/Grand Order: First Order then you’ll be confused and disconnected from enjoying the film. We barely get a moment to understand what exactly they are doing in the middle of the Israeli desert, speeding towards Jerusalem (in a makeshift car) which is now occupied by King Arthur (also a woman) and her knights of the round table. Either you know who these characters are, or you don’t. The film doesn’t spend any time introducing Ritsuka, Mash, or Leonardo Da Vinci (now presented as a girl) to us at the start of the film, giving no time for the audience to form a connection to them. Divine Realm of the Round Table: Camelot tells the story of instance number six. Based on the mobile game, the whole premise is that the player-character (called Ritsuka Fujimaru in the anime) is tasked with traveling back in time through seven instances of world history to correct the world’s timeline, alongside his partner, Mash, in order to prevent humanity’s annihilation in his own time. Grand Order has almost no real connection to Fate/Stay Night, minus a few characters within the same universe. Starting off, the film already assumes the viewer is aware of what Fate/Grand Order is, and if not you’re not familiar with the franchise then you can expect to be confused for the majority of the film. Today, here’s our review of Divine Realm of the Round Table: Camelot – Wandering Agateram.
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Although a production sequel to the TV anime Absolute Demonic Battlefront: Babylonia, chronologically this new film serves as a prequel. With Fate/Stay Night officially over, Type-Moon has moved on to continue giving us the adaptation of Fate/Grand Order. After various delays and the thrilling conclusion to Heaven’s Feel, the next anime installment for the Fate franchise was released in December, 2020.